Showing posts with label Halle Berry. Show all posts
Showing posts with label Halle Berry. Show all posts

Thursday, June 5, 2014

X-Men return to X-cellence

With more Mutants, more conflict and more POW! than ever before, X-MEN: Days Of Future Past dazzles and delights more than any X-Film than ever before.

ON CONTINUITY

ARTH VADER (AV): It has been said that the  “Days Of Future Past” story arc is one of the best in comics, if not in all of pop fiction. Yes, it’s that good. It’s story is that of one mutant hero sent to the past at a critical point in history, to avert a terrible nightmarish future. And while this film is different enough from the original content, this is one of the instances where I didn’t mind. The creative liberties taken by Bryan “Stop trashing my crappy X-MEN movies” Singer is perfectly balanced and seems to unfold naturally onscreen. 

THE PONTIFICATOR (TP): Continuity has always been a major subject with these X-Men films since day one, mainly because they departed from comics almost immediately. That said, continuity between the films is the only real measure left and this film manages to tie up all the loopholes of the previous films, while also delivering an alternate version of a classic X-Men story.

CASTING, DIRECTING AND ACTING 

AV: Never have so many A-List actors appeared in one movie have DoFP. Even though this film is crammed with top acting talent from the X-Men film universe with the addition of Peter “Tyrion Lannister” Dinklage and the return of dozens of old familiar faces like Fassbender, MacAvoy, McKellan, Stewart and… ah heck you get the idea. The direction was remarkably seamless for such a complicate screenplay and so many actors to corral. There is a level of cinematography that few movies can aspire to. Lastly, the acting was solid on all fronts. Lesser (or bad) actors had few-to-no lines and characters with substance and depth were allowed to explore the qualities that make the characters great. What did you think, Pontificator? 


TP: I found the pace of the film to be a bit slow at times Vader, stagnant in areas that could have been abbreviated, making room for a bit more action. The casting was well done though, and the cast was vast. There really isn’t much I can say that hasn’t already been said about Hugh Jackman, James McAvoy, and Michael Fassbender (easily my favorite performance, again). They know their roles and delivered. Jennifer Lawrence got a great amount of screen time and although she was adequate as Mystique, much of the mystique of the character came from the use of her abilities. It’s hard for me to see Peter Dinklage as anyone but Tyrion Lannister, but of course he gave a great performance as Bolivar Trask anyway. Evan Peters as Quicksilver, was perhaps the biggest breath of fresh air to come around in a long time, and with such a simplistic character, was certainly one of the highlights of the film.

SPECIAL EFFECTS

AV: With a full on production budget of more than $180 million, we dang well better get some beautiful set designs, top notch actors and eye-popping special effects. Thankfully, that is pretty much what we got. The vicious conflict between man & mutant is conveyed to horrifying reality on the big screen as we watch X-Man vs machine duke it out to the death. The transitions of Mystique are spectacular and the Sentinel scenes are awesome—in particular the final fight sequence. I was delighted at this film and I am not alone because as the time of this blog writing, the movie has crossed the $500 million mark worldwide and is still going. Well done, Mr. Singer. 


TP: IMAX 3D wasn’t an option for this film, and that is a shame. I still saw it in 3D and it was still a stellar display of special effects, but a film like this needs to be pushed beyond the envelope. That said, the effects displayed in conjunction with the cinematography were awesome, especially the Quicksilver sequence (reminiscent of the Nightcrawler display in X2). I thought the future Sentinels could have been done better, but they still delivered the ominous feel of impending doom, as intended. It should also be pointed out that the sets used were done extremely well and instrumental in establishing the tone of the 70’s and of a future gone horribly wrong.

TAKING A DEEPER LOOK

AV: So when the rubber meets the road, this movie stands as one of the best in it’s genre. The course of events this film leads the audience on quite literally ties up lose ends, resets the history and timeline and threads all the movies together to have a common historical context. What’s more, the film is genuinely fun, even if you don’t watch or care about X-films. Clearly the actors, film production people and everyone affiliated had a great time making this film. What’s more, the laugh-out-loud, scene stealing antics of newcomer Quicksilver makes his part of the film a… wait for it… run away hit. The scene is so good it’s almost worthy the price of admission by itself. Seriously. 

TP: Of course this film is going to raise some questions while giving some answers. Firstly, I’d like to know how Kitty Pryde acquired the ability to shunt someone’s consciousness backward in time? Secondly, I’d like to know exactly how Magneto and his Brotherhood got caught? They were brimming with incredible power when we last saw them at the end First Class, so how a bunch of regular humans catch them is beyond me. Thirdly, if experimentation followed by death was the order of the day for the captured mutants, why was Magneto himself spared this fate when he was easily the most dangerous of any of the captured mutants? How is Emma Frost dead, before she is even born? There were a plethora of questions this film brought up that haven’t been answered (yet). Although I enjoyed the film, am I the only one that realized things would have been a lot easier if they simply brought Quicksilver with them?
ON SEQUELS

AV: This is really two solid X-Movies in a row, now Ponty. We can’t really chat about the future of X-Movies without discussing the post credit sequence Pontificator. The throngs of loyal followers screaming out the name of En Sabah Nur (The comic book name of the ultra mutant badass Apocalypse in Marvel comics) as he constructing the great Pyramids and the four horsemen ride into view at the end of the scene. Might I speak for all of comic fan-boy nations and say a resounding (and I quote): “Yeeesss!” Between the events of this movie and the stellar implications of the post-credit scene, the X-Men as a franchise has a strong set of legs to stand on going forward.


TP: There is no question about this Vader, as X-Men: Apocalypse is already in the works… along with X-Force (BOOM!), and I can’t wait to see where they take us next.



RATE IT!

ARTH VADER rates X-MEN: Days Of Future Past: There are few franchises that can do a complete turnaround as well as this one clearly does. This movie is action-packed, well written and well delivered. It’s a total package that shows that greatness can come if you keep at it. A stellar cast, magnificent effects and non-stop action compel me to give X-MEN: Days Of Future Past 9 busted blocks that may travel back in time and offer an alternate rating. Who knows? Pontificator… you have the con. Bring it home! 


THE PONTIFICATOR rates X-Men: Days of Future Past: Although I feel it could have been a bit heavier on the action, it was certainly a great story that helped out the franchise tremendously. The acting was solid, along with the special effects making this film an instant classic… able to hunt down and destroy eight (8) mutated busted blocks.













XMEN: Days Of Future Past: 8.5 / 10 Busted Blocks

Friday, December 14, 2012

A Cloudy Picture

A riveting, cinematic masterpiece and stunningly complex screenplay, the mesmerizing Cloud Atlas may leave audiences dazed, bewildered and somewhat confused. 

ON CONTINUITY



ARTH VADER (AV): Directed by The Wachowskis (of The Matrix Trilogy fame) delivering the writing/directing along with collaborator Tom Tykwer (Run Lola Run) Cloud Atlas attempts to translate best selling author David Mitchell’s multi-layered, multi-faceted novel into an ambitious (if not ambiguous) big-budget blockbuster that engages the mind and (attempts to) solicit an emotional reaction. The end results is a movie that is as awe-inspiring as it is bewildering. How say you old friend? 

THE PONTIFICATOR (TP): Cloud Atlas is an original film that can best be summed up in one word...reincarnation. Following this film was challenging at the beginning, but the further along it went, the more cohesive it became... giving it a continuity all it’s own.

CASTING, DIRECTING AND ACTING
AV: A stunning all-star cast is called up to breathe life over a story arc that spans hundreds of years and dozens of lifetimes. The story is–in fact–six stories spread across various epochs of time (the mid-19th century, the early 1930s, the mid-1970s, 2012, the future, and a more distant future). In each of these stories, we meet various characters (played by the same ensemble of actors) whose lives, experiences and legacies ripple throughout past and future via artistic connective threads like music, writing or film footage, shaping life, destiny – and even the fate of the world, in some cases. As each story progresses along its arc, a web of cosmic significance slowly but surely comes into view, reminding us that our lives are not just our own, and our connections to others – whether comprehended or not – are far more precious than we may know. 

TP: The casting was superb as you really can’t go wrong with the all-star cast that was put together for this film. Tom Hanks is one of the all-time greats at this point and Halle Berry certainly made this film one of her highlights. Hugo Weaving was riveting and with talent like Keith David, Susan Sarandon and Hugh Grant rounding out the cast, there was no way to not be engaged heavily with the characters. The beauty of all of this is that each cast member played several roles throughout the film, all of them different in terms of what each character brought to the story. The directing kept this film moving along at a pace that was fast enough to keep interest, but slow enough to facilitate comprehension (just barely).

SPECIAL EFFECTS:
AV: There is no way to accurately convey what an incredible special effects journey this movie is. The environments, the make-up, the CGI, the visual effects, the sound design, entire worlds re-created. Cloud Atlas is as flawlessly beautiful as any effects movie could be. Honestly, on the level of Peter Jackson's Lord of The Rings Trilogy or the Matrix films (Wachowskis) or the even later Star Wars movies. And as good as the high-end, computer-generated visual effects are, they are seamless compared to the mix of make-up and good old-fashioned in-camera effects of the different characters onscreen. I was literally blown away. 

TP: The special effects were simply awesome. I have a weakness for grand landscape shots and being taken to new and fantastic worlds. This film delivered in that area and then some. It was interesting to see how the use of special effects increased as the story moved forward through time. From the simple make-up job to the astounding CGI, this movie delivered on a scale worthy of mention with all those we associate as the greats. Although it’s in every movie, there hasn’t been a film that comes to mind recently that has taken the craft of make-up to another level. I honestly didn’t recognize many of the actors in some of their roles until revealed at the end of the film... a testament to such excellent work.

TAKING A DEEPER LOOK:
AV: As one of the most ambitious Hollywood story-telling undertakings I have ever seen, Cloud Atlas does fall short in a few areas. First, the lack of an easily digested concept and storyline leaves audiences dazed and confused. American culture tends to be less refined and considerably less tolerant that other audiences. This movie qualifies as a film noir or 'artsy' film treatment, leaving the effect and the experience to be at the discretion of the viewer. While one could argue that should be the intent of EVERY movie, most American cinema releases hold our hands so much, we are almost told when and how to respond. Not so with Cloud Atlas, and that is also it's Achilles heel. Next, the continuity and pacing is also at a tempo followed only by the sharp-witted. With a concept coming out of left field and a story-telling treatment not often experienced in America, Cloud Atlas has made wide-scale acceptance almost unattainable in regards to movie-going audiences. Pontificator, what were your thoughts? 

TP: I completely agree with you Vader. Count me among the lost for the first twenty minutes of the film. As I was dazzled by the superb acting, I was also trying to find my way on the road of significance to what I was seeing. Not only that, but the first few jumps to different eras had me frazzled as the connections were not readily revealed. Just the very nature of the film makes it the type of movie you want to see again, just to make sure you “get it.” As the film progressed and I found myself understanding the concept, I was miffed at what I’m sure I missed during my tenure among the lost. This became even more evident, but the euphoria of revelation was just awesome, when the film was over and the end credits began to roll...visually revealing every character each actor had played. This was the biggest lightbulb moment for me as more dots were connected that just weren’t evident the first go round.

ON SEQUELS:
AV: I don't have a lot of knowledge about the story's intended follow-up, however, as I have shared many times in past posts, movies like this are okay NOT to have sequels, prequels and follow-ups. Sadly, the audience exposure and viewing of this movie will probably cement there is no follow-up. And honestly, Ponty, that's is fine by me. 

TP: Agreed Vader... this film was a handful by itself, an exercise in comprehension and cognitive thinking. There is certainly no reason to sequel that experience when there is still so much that can yet be gained by simply watching the first... again.

RATE IT! 

ARTH VADER rates Cloud Atlas: A beautiful movie, engaging–if not complicated script and an all-star cast reads like a who's who of Hollywood Elite, the visually breath-taking Cloud Atlas will delight, confuse and inspire, given half a chance. While I am still sorting out what I saw, I loved it and I encourage everyone to see it but I will also say, it's NOT for everyone. So with that, I give Cloud Atlas the "true, true" rating of 8.25 busted blocks. 

THE PONTIFICATOR Rates Cloud Atlas: A visual delight with superb acting from an all-star cast. I am the type of person this film was made for, but not everyone is as inquisitive or patient to take the journey this film embarks on. Any viewer is encouraged to have an open mind while paying close attention to detail...and this film will reveal itself to have busted 8 solid blocks. 




CLOUD ATLAS: 8 Busted Blocks



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