Wednesday, August 27, 2014

Hercules Surprisingly Weak

Even with Dwayne “The Rock” Johnson,
the latest Hercules is anything but solid


ARTH VADER (AV): Even with a better-than-expected story, Hercules struggles to be relevant. Based on the fabled son of Zeus, Hercules does account for a number of his fabled trials. The giant Boar, overcoming the Hydra, even the unusually large Lion, they’re all spoken of. The film goes a step further in suggesting that those incredible and heroic feats were myths. A series of stories shared to embellish and bolster the legend of Hercules. This slight (but significant) deviation of the Hercules mythos implies he just might NOT have been the son of the Gods. Thoughts Pontificator? 

THE PONTIFICATOR (TP): The story of Hercules has been told so many times that it’s difficult for any film to tell it with a fresh perspective Vader. I never expect much when seeing “another” telling of the legendary Hercules, and fortunately this time I was very surprised as this film managed to tell the story from a fresh perspective.


AV: Well said, sir, and with a smattering of familiar faces, I think it should be said that ‘The Rock’ is the only true ‘star’ in this film. There is some value to the cinematography in this movie but the wide-angle shots that are comprised of hundreds of marching, assembling and sometimes fighting CGI soldiers does not a movie make. Casting–at best–is a shoulder shrug. As is the acting effort for that matter. 

TP: I’m a Dwayne Johnson fan so I’ll try not to let the bias show, but I just find him entertaining to watch, even though there was nothing about his role worthy of any accolades. He played a good Hercules and took the role as far as the script allowed. John Hurt has been around for awhile and played a great antagonist in this film, showing evil as another side to his already lengthy acting chops. Ian McShane is a very versatile actor and his role here was a great offset to Hercules as he brought some comic relief along with his interesting portrayal of the mystic Amphiaraus. I’d be remiss not to mention Rufus Sewell, known to me for his many bad guy roles…and true to form, even in this film as one of the heroes, he was the one that cast some doubt on the morality of his character. The film flowed well enough to keep my attention, but the script certainly could have been tighter given the scope of the characters.


AV: The majority of the visual effects in Hercules seem to occur in the opening scenes. Which I was strangely ok with. It was refreshing to have the visual effects fade into the background as it quickly morphed into a work-a-day action flick. Lots of wide-angle shots of the battlefield? Check.. Cliché scenes I’ve seen like a kazillion times before? Check. I also noticed the visual effects were choppy. Watching the long lines of marching soldiers, one could tell they were poorly rendered and the animation looked sickly and very rushed. Not good news in these days of outstanding visual effects. How about you old friend, was the Pontificator “blown away” with the visual effects in Hercules?  

TP: The special effects were good and most of the big ones happened early on setting the stage for the crux of the story. There was nothing ground breaking here and fortunately, nothing real big was needed to advance the story. The strength of Hercules was done well and the few times they took advantage of the 3D effects were well done. Blown away? Certainly not. Adequate? Certainly. 


AV: It’s very difficult for me to pinpoint exactly why this movie was made, Pontificator. Sure, it’s fun–at times anyway. But the comedy is very one-dimensional. The acting is flat. Even at times of trauma, I just can’t seem to take ‘The Rock’ seriously, even in ‘serious’ moments. The real value of this film lies in it’s implication that Hercules was just a strong dude who was fortunate in battle. His stories were shared (by his cousin) to build his ‘legend’ — all to increase his ‘marketplace value’ as a mercenary. Even this though, fails because its not fully explored. His merry band is little more than comic relief and logistical support in fights. The humor is constant, if not clever, and even though you can see the plot points coming like a freight train, the movie-for the most part-is at best–palatable. 

TP: Despite the simplicity of this film, there was a lot to look at profoundly. I was really intrigued about how they portrayed the man in the face of the every growing myth. If you see this film, stay and watch the end credits as they round out the whole point of all the stories that were told about Hercules and they use stop motion animation to show what really happened during the labors they show at the beginning. I thought this was very interesting and a great twist to drive home the point of the importance of his companions. Speaking of his companions, I have some issues with Autolycus (Rufus Sewell’s character). Earlier in the film Hercules introduces him as being from Sparta, later Autolycus reveals that he and Hercules grew up together on the streets of Athens. I chalk that up to shoddy script writing, but to even mention “Sparta” in this film had me looking at this character with expectations of Three Hundred-esque fighting ability…and what I got was anything but. Note to future filmmakers… don’t even mention the word Sparta unless you can deliver the goods!


AV: Clearly I wasn’t this film’s biggest fan but the movie does hold a certain charm that is hard to pin down. It’s there but damned if I know what it is. Box office performance may decide the fate of future installments but I can honestly say while I wouldn’t hold my breath, Hollywood certainly has given us some train wreck franchises and stand-alones in recent years so, to a sequel I say… meh. 

TP: Of course there are many more stories that can be told using Hercules, but if the intent of this film was to provoke some thoughtful discussion over the man versus the myth, then mission accomplished. I doubt the box office performance of this film will generate another go round.


ARTH VADER rates Hercules: The best critique I can give this movie is—“well, I didn’t hate it.” The nothing new screenplay and dialed-in performances brought down what was at best a mediocre film to begin with. The Rock is fun but his Lion’s-head-wearing Herc was a yawn-induing crock pot full of missed opportunity. For that, Hercules, the fabled Lion-killing son-of-a deity hefts up only three (3) disappointed Busted Blocks. 

THE PONTIFICATOR rates Hercules: Well, this film was certainly better than the earlier version that preceded it, but that isn’t saying very much. The performances were entertaining even though the script could have been better and it’s always fun to watch the Rock beat people up. That said, this film could only lift six (6) busted blocks and could certainly have used more godly strength.

Hercules: 4.5 / 10 Busted Blocks

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