Monday, March 30, 2015
Parkour, Evil Babes On Blade Stilts, Secret Gadgets and Even Samuel Jackson With A Lisp, The New-Age Comic Spy Flick Kingsman: The Secret Service Has Everything.
ARTH VADER (AV): Based heavily on the comic book series, Kingsman: The Secret Service is officially listed as a “spy/action/comedy/film”. A film with a sense of humor and sense of itself, the movie ingrains itself to the audience as a smart, almost self-aware film. At more than one point in the film, actors in the film proclaim how “this ain’t that kind of film.” A spawn of the new age of comic-inspired story-telling in cinema, Kingman is fast, fun, and clever, quite like the comics published by Icon.
CASTING, ACTING & DIRECTING
AV: With a strong, veteran cast, Kingsman is solid entertainment. Colin Firth as Galahad is just stellar and Mark Strong as Merlin was terrific. And mad props to sci-fi super-fan-boy favorite, Mark “I am a Jedi, like my father before me” Hamill as Professor Arnold. These three gentlemen came together to deliver a solid performance and brought the caliber of a well-crafted film and a superb screenplay to a level of awesome few films get to enjoy. Director Matthew “X-Men: First Class” Vaughn’s visual storytelling compliments the film’s try and genre magnificently. Excellent cinematic endeavor wouldn’t you say, Pontificator?
TP: This film was well cast and well acted for what it was meant to represent Vader…namely a comic adaption of a spoof on the James Bond genre. Colin Firth played an excellent role as the emotionally invested mentor of Lee (Jonno Davies in his first major film role). Mark Strong was great in his supporting role as was the well established Michael Caine and beautiful Sofia Boutella. I think Samuel L. Jackson was just added for star power, but you really can’t go wrong with him…despite the shallowness of his role.
ON SPECIAL EFFECTS
AV: A very smart array of visual effects helps make this movie even cooler than it’s idea. This movie did something I have NEVER seen before, and to me, that is the earmark of greatness—success or failure. The in-church fight scene is so action-packed, so infused with choreographed fighting with mind-bending cinematography, you have to take a deep breath after the scene ends. Really. It is that good. When visual effects make me say “…wow that was cool” to myself, well… thats the definition of good effects. To put the cherry on top, it is possible to watch this whole film and not truly even notice the effects they are so seamlessly integrated into the storytelling. That, my friend, is the right stuff.
TAKING A CLOSER LOOK
AV: Graphic novel adaptations have a checkered past in hollywood. Whether we’re talking the Men in Black franchise, Watchmen, Kick Ass or R.I.P.D., the graphic novel/comic book adaptation is a money making prospect for studios but hit-or-miss for content. Kingsman is a breed apart and can be considered as good as one of the best graphic novel adaptations. It shows how an action/comedy/adventure/spy thriller can entertain, delight and leave us wanting more. Gritty, senses-gripping action makes this film exciting. The characters and screenplay make it a must-watch. My only pause was the mousey or subservient nature of every single female character in the film. This of course, gives us the opportunity to do a more engaging female arc in coming films. Regardless, Kingsman is by far the best film I have seen so far this year. Ponty?
TP: Heh… the year is still young Vader. This film was an obvious spoof on the James Bond series of films although the comic books never felt like that when reading them. Despite the insanely over-the-top gore in the effects, I found myself having extreme fun while watching it. I imagine many people that saw this film were not accustomed to the thick British accents throughout the film, but being an avid watcher of BBC America…I was right at home. I think if there was a template for a super spy spoof film that didn’t take itself too seriously, but still delivered some serious fun, this film fits that mold perfectly.
AV: If there’s more in the store for Kingsman, I’m buying. This movie was solid entertainment, with a screenplay as smart as it was quirky. I could sit through a new Kingsman film every 20-24 months and enjoy it MUCH more than a Fast & Furious flick. Seriously. Action, adventure, comedy, social commentary and visual effects like a boss? Hell’s yeah, sign this brother up for 10 more just like it.
ARTH VADER rates Kingsman: The Secret Service: Truly a great film for action and spy flick lovers. If you like your films fun, your script witty and your action non-stop then I have no idea why you are still in your seat. Kingsman: The Secret Service is the type of movie Hollywood–and audiences–desperately need more of. It sets the pace for the genre and delivers an experience we have all too little of in films these days… a good one. So Kingsman: The Secret Service suits up with nine (9) very well-groomed and deviously-outfitted busted blocks.
THE PONTIFICATOR rates Kingsman: The Secret Service: Knowing the source material well, I was happy to see how successfully it transitioned to the silver screen. I think the effects being extremely graphic while the acting being a bit campy was the perfect blend of fun and entertainment... killing eight (8) busted blocks for King and country.
Kingsman: The Secret Service – 8.5 / 10 Busted Blocks
Thursday, March 12, 2015
Elf ears, hyper–fantastic alien technology and even Sean Bean can’t deliver the Wachowski’s latest flick from the planet ‘meh’.
ARTH VADER (AV): Jupiter Ascending is an original IP (Intellectual Property) crafted by Lana and Andy Wachowski. One their first original collaborations. The Wachowskis certainly know how to make decent films though they can’t seem to develop a proper screenplay to save their lives. Even the Matrix was someone else’s idea and the first one was stellar. Wikipedia identifies this flick as a “Space Opera” and I am at a real loss as to why, Pontificator. What were your thoughts?
THE PONTIFICATOR (TP): An “original” film, I am not aware of any previous renditions of this story, which either says it is really an original piece of work, or not really worth the time to think up. I must confess that it actually may be a mixture of both. I thought the plot that the Earth was seeded purely as a future resource was interesting, but the execution of the plot was severely lacking. If by “Opera” you mean it nearly put me to sleep Vader… then yeah, pretty much.
CASTING, ACTING & DIRECTING
AV: I tried Ponty, I really did. I searched high, I looked low I just couldn’t find any evidence of acting anywhere in this flick. It’s like it just wasn’t there. No emotion, no emoting, no magic, no panache and certainly no vested motivation of any kind… anywhere. Someone also fell asleep at the wheel on the casting as Mila “Remember me from TED” Kunis dialed in her performance as 'Jupiter' from a satellite phone. Channing “21 Jump Street” Tatum was so busy posing and trying to look intimidating he forgot to bring any depth whatsoever to the role of the wolf-like Caine Wise (Wise Canine? Really). The saving grace for the category is certainly the direction which chose to use effects to tell the story then characters. But more on that in a moment, P-Man.
TP: There is really only so much a cast, any cast, can do… given the material they are tasked with bringing to the silver screen. In this case, with the plot and script being what it was, I have to extend some slack to the cast for doing the best they could. Channing Tatum is a capable enough actor and having him constantly in motion was probably the best he could hope for in this film. Mila Kunis was actually a bit refreshing given the script as was Eddie Redmayne's over-the-top performance. I am a Sean Bean fan and was disappointed there was nothing of substance for him to sink his acting chops into.
ON SPECIAL EFFECTS
AV: Ah, now on to the tune value-added element(s) of Jupiter Ascending. The visual effects are other-worldly (see what I did there?). Fantastic technology and stunningly arresting visual and sound effects really are the stuff that help make Jupiter Ascending shine. I can truly say that the intergalactic sailing ships were breathtaking and the sound effects, ships and battle scenes were all top notch. Well done visual effects in Hollywood are the stuff of dreams which is perfect since this movie damn-near puts the viewer to sleep so at least the visual effects are the stuff of dreams. Ponty?
TAKING A CLOSER LOOK
AV: The Wachowskis somehow get their hands on really terrific screenplays in Hollywood and do (it seems) everything they can to make them sub par. Now, I know, that is not deliberate, but it is the end result. The Matrix, V for Vendetta, Speed Racer, and Cloud Atlas to name just a few are all properties they get their hands on and flub up. Jupiter Ascending is just one more but when will Hollywood wise up and not give them screenplays that do not give them a massive visual effects budget? This film suffers from a lot of things and one of the glaring ones is a lack of vision. Show me all the pretty graphics you like, but this film is a two hour and seven minute yawner that breaks your will to watch way more than it breaks new ground.
TP: This film had a great idea and somewhere along the way, went mindless with it. The idea that the Earth was really seeded to be harvested later to keep other people immortal is some great science-fiction. Not getting more in-depth with the larger community where all this seems to be normal left me lost. Constantly showing a different alien (or not so alien) species with every new camera shot didn’t help advance the story. It was like watching four years worth of “Star Trek” episodes in two hours….cramming every alien you can make up, but never explaining who or what they are…and expecting me to buy into it. Unfortunately, I didn’t have the necessary funds.
AV: No thank you.
ARTH VADER Rates Jupiter Ascending: The New York Post stated it best; "Jupiter Ascending is so bad it's almost good'. As much as I have kicked this film in the shins, this is by far NOT the worst movie I have seen, That said, with the high levels of bile used to make this film and the fact that this film just doesn’t matter, means you can likely rent, buy on video or altogether blow off. Let’s face it, if you miss this one, no points lost. Regardless, I slapped on a pair of elf ears, tossed on my air-glider boots ascended to give Jupiter Ascending three (3) out of 10 Busted Blocks.
THE PONTIFICATOR rates Jupiter Ascending: With a great idea and great special effects, this film could have been a lot better than what it was… if it also had a great script and something tangible for good actors to work with. Unfortunately it didn’t have that and was only able to ascend five (5) busted blocks… and got nowhere near Jupiter.
Jupiter Ascending 4 / 10 Busted Blocks
Monday, March 2, 2015
Once again, a mystical youngster is poised to save the world in the perplexing fantasy romp, The Seventh Son.
ARTH VADER (AV): While this oddly named fantasy film owes its original story arc to a book called “The Spooks Apprentice” by author Joseph Delaney (an equally off-putting title if you ask me), the story chronicles the coming-of-age tale of the seventh son of the seventh son (whatever that’s supposed to mean) and quickly morphs into a poor man’s Van Helsing–type ride through the lore of monsters, witches-turned-dragons and all kind of other super-natural thingies. Mind you, dear reader, I have not read the book but the premise, from the other reading I have done to validate it, is that the screenplay is pretty darn close to the source material. Did you read the book, Pontificator?
THE PONTIFICATOR (TP): I did not read the book Vader, but the idea is as old as time…the world (being represented by a very small actually area) is besieged by witches and demons and the aging lone hero must train a successor to take his place and keep the world safe. Been there, done that…so the only thing that really makes this unique are the actor’s approach to the material.
CASTING, DIRECTING AND ACTING
AV: The household Hollywood names like Julianne “I just won an Oscar” Moore and Jeff “Anything’s Better than R.I.P.D.” Bridges, delivers that much sought-after star power bump to a film that might otherwise succumb to its own mediocrity. The direction–for me–was all over the place, camera work was deliberately methodical. Talking heads, to side angle, to (unnecessary) helicopter shots the story-telling and the imagery was a hot mess. The acting was a solid “meh” save for the performances from Moore and Bridges. There won’t be any Oscar noms for this one unfortunately, Pontificator.
AV: The effects in the Seventh Son are ‘Ok’ at best. Mostly clean, the effects are good at first but the sky shots of the city were clearly hurried CGI work and the monsters appear onscreen in varying levels of polish. Its hard to create a fantasy film these days without serving up a healthy dose of visual effects but movies these days need more. The visual effects need to help tell the story, not carry it. Unfortunately, films like The 7th Son are not about telling a quality story, regardless of the source material, but rather it hopes to wow us away from the fact that all too often, the story is FUBAR. Thoughts, P-Man?
TP: There was no new ground broken here, although it was very fun to watch this film in IMAX 3D. I don’t think the film utilized the medium to the fullest, even though there were moments when the action seemed to pop off the screen. With such a sparse script and acting, more effects could have certainly been used to help elevate the film.
TAKING A CLOSER LOOK
AV: To be fair, I didn’t hate this movie (makes you want to run right out and see it now, right?). I went in with the lowest of low expectations, and was mildly entertained. This movie makes little connection and even less sense. Even its title is barely addressed in the film. While the dragons, witches and other supernatural adversaries look great, they fail to elevate the story or the experience. There was a reason this movie was supposed to debut over a year ago and didn’t. Whatever the problem they identified either wasn’t fixed or was so big it trumped other issues like poor acting and shoddy storytelling. And poor storytelling should be the cardinal sin of any film. Seventh Son simply rambles on in a world of McGuffins that are so uninteresting, we simply accept it and move on.
AV: This movie ended with the pretense ‘this is just the beginning’. The narrative pretends like this is all just getting started and to that I say… whatever. The film’s climax left me totally indifferent and while I would entertain returning to another installment, if this film or series is never heard from again, well, let’s just say there won’t be a whole lot of tears shed.
TP: They could certainly do another film…but Ben Barnes is not capable of carrying it. Having Bridge’s character ride off into retirement pretty much spells the end of this story for me…unless they bring him back, and then we are right back where we started…and there is really no need for that.
ARTH VADER rates The Seventh Son: Given the breadth of films due to release in the coming months, this film is, at best, small potatoes. Even blockbuster A-Listers can’t save this dull fantasy romp from itself. The non-sensical story, thin plot, plastic characters and yawn-inducing acting make this movie ideal for a lazy Sunday afternoon watch when you simply don’t want to get up from the couch. That said, Seventh Son is granted only three (3) busted blocks in the grand old ‘swing-and-a-miss’ Hollywood money-grab style.
The Seventh Son: 4 / 10 Busted Block
Tuesday, February 3, 2015
Geek Peek 2015: The Boxed Office helps you geek-out on your movie going for the year ahead
Happy 2015! It’s time once again for all of us here at the Boxed Office take our annual crystal ball session concerning our most anticipated films of 2014. We look ahead at some of the biggest sci-fi, super hero and fantasy and CGI films coming soon to a theater near you:
(ARTH VADER AV) The Seventh Son (2/6) The lone remaining warrior of an ancient mystical order travels to find a foretold hero born with incredible powers, the last Seventh Son. Having watched this initial trailer for an 2014 release over a year ago, I am not sure what to make of this one, Pontificator. Generally, its never a good sign when a film is pulled and re-tooled or has a significant amount of new, re-shot material. Here's to hoping.
(AV) Jupiter Ascending (2/6) Who's ready for an original Wachowski Brothers screenplay? Apparently no one was a year ago. The original 2013 release of this film was halted when initial audience pools tracked so poor, executive pulled the film and completely re-tooled the film. In February 2015, we’ll see how that effort turned out. I will say, though, P-Man, the new trailers kind of have me a little giddy. Here’s to hoping Mila “TED” Kunis and Channing “Jump Street” Tatum can do something they have yet to do prove so far… that they can act.
(AV) Chappie (3/6) One the most talented directors in Sci-fi today is Neil “District 9” Blomkamp who’s latest film, Chappie, premieres March 6th. While initial reports are panning the film, I am excited to see what comes of this latest film. Another precursor to the ‘countdown to the singularity’, Chappie is the story of an AI / Robot who learns of the human world through the actions of his creator(s) and those that fear and mistrust him.
(AV) Ex Machina (4/10) It’s time for another Singularity story arc, Ponty. This one features the story of Caleb, a 20-nothing programmer employed at a large internet company, who wins a week at a private mountain retreat. But, when Caleb arrives at the isolated retreat he finds that himself swept up into a a strange and frightening experiment in which he must interact with the world's first true artificial intelligence, who takes on the form of a beautiful woman. Directed by horror pro Alex “28 Days” Garland, the movie chronicles an interesting inter-species coupling thats both telling and frightening.
(AV) Avengers: Age of Utron (5/1) When it comes right down to it, there really are only two big flicks to look forward to in 2015, Star Wars and Avengers: Age of Ultron. Marvel Studio’s follow-up to their colossal 2012 hit, pits our heroes against the Avenger’s greatest adversary, the twisted AI construct, Ultron. With new foes, new allies and new costumes for Marvel’s most colorful band of brothers, Age of Ultron has every potential to exceed the $1.4 billion payday that accompanied the 1st movie.
(THE PONTIFICATOR TP) Mad Max: Fury Road (5/15) : Being a big fan of the original Max films (“Mad Max” and “The Road Warrior,” not so much “Mad Max: Beyond Thunderdome”) I was happy to hear that director George Miller was attached to this project Vader. It means most of what made those films great will be returning for this reboot/reimagining although I was sad to see Max’s car get destroyed in the trailer (love that car). Tom Hardy is an excellent actor and the perfect choice to reprise the role of Max. This film looks as though it’s gonna be huge and the fact that they are offering it in 3D just tells me to expect some serious special effects! I hoping it’s everything the first two films were…and more.
(TP) Jurassic World (6/12): I’m a huge fan of all the Jurassic Park films and so I’m very excited about this latest installment, the fourth in the series, set twenty-two years after the original. Although director Colin Trevorrow hasn’t done anything thus far to impress me, I’m hopeful that Spielberg as executive producer and Chris Pratt as the lead can pull this off regardless of any shortcomings, anywhere. The premiss of the film has some cheese potential, I mean, in addition to the regular dinosaurs posing a threat (as usual) we now have a genetically modified dinosaur to deal with, but this type of film is not meant to be thought-provoking, just a wild ride. From what I have seen so far, it looks to be just that, a wild ride for the summer and I’m looking forward to it Vader.
(AV) Ant Man (7/17) Who’s psyched to see a grown man shrink down to be 1/4” tall? I know I am! The littlest big Marvel flick stars Paul “Ant Man” Rudd, Evangeline “I’m Lost as an Elf” Lilly and Michael “Henry Pym” Douglas. Shrouded in controversy, due namely to the hiring and 8-years-later firing of wunderkind director Edgar Wright, this film has almost everyone in a quandary about this film’s ability to resonate with audiences. As for me, I say this; if Marvel made The Guardians Of The Galaxy the top film of 2014, they can do anything. The trailer is fun and has CGI that will likely make the world of the Ant Man a giant success.
(TP) The Fantastic Four (8/7): I gotta say that even though I was gracious in my opinion of the first two films (being a comic geek and all), I have not been thrilled by what I have been hearing about this film. There has been much controversy over the cast, specifically Michael B. Jordan as the Human Torch, but reading the latest synopsis for the film, I might be willing to throw everything I know about the Fantastic Four out the window and come at this film with an open mind. I generally have not been happy with how Fox has treated Marvel characters, but it seems they might be taking some notes from Marvel Studios as it has been confirmed that the Fantastic Four takes place in the same cinematic universe as the X-Men. Despite the negative rumblings, I will remain optimistic.
(TP) The Maze Runner: Scorch Trials (9/18): I wasn’t a very big fan of the first film, it just didn’t make sense to me on many levels (see the review here) so a continuation of the story doesn’t have me particularly excited. That said, the very fact that it takes place in the most scorched part of the Earth with new dangers and challenges does have me intrigued. I’m hoping this film makes more sense than the first, or at the very least can add more sense to the first. At any rate, great directing and awesome special effects can do much to salvage a film, so I’m hoping this film encompasses all of the above and leaves us with something interesting to review later Vader.
(AV) Victor Frankenstein (10/2) This unique take on Mary Shelley’s classic tale of the original plastic surgeon, is the tale of Dr. Frankenstein’s monster as told from the prospective of Igor, the film is told from the troubled young assistant's dark origins-likely his cameo in 2014’s Dracula untold–or his redemptive friendship with the a young Viktor Von Frankenstein. Igor becomes an eyewitnesses to the emergence of how Frankenstein–and his infamous abomination–become the legends we all know. We can be cautiously optimistic that this film will be an entertaining–if not certifiable–train wreck. Heres to hoping, P-Man.
(TP) Spectre (11/6): I’ve been watching James Bond films since I was a kid (they actually predate me) and I have enjoyed all of them (some more than others). I have certainly enjoyed Daniel Craig as Bond and look forward to seeing more of him in this film, his fourth installment as 007. Monica Bellucci will be the “Bond Girl” of this film and at fifty years old, the oldest to ever do so. Although this film will not be based on any of Ian Fleming’s original work, the idea of a worldwide secret criminal organization (Spectre) seems to fit right in with what has come to be expected from a Bond film. Also expected is plenty of action, some gadgets…and a new Aston Martin. As with the previous Bond films by Craig, this one should be a lot of fun O’Dark One.
(AV) The Hunger Games: Mockingjay - Part 2 (11/20) Pontificator, if I may, do you know why I am just this side of giddy over the release of this film? It’s because it means a certain and definitive END to this franchise that has quite frankly… overstayed its welcome. Let hit the finale button on this series and wrap this all up. I am fatigued over the amount and volume of HG comments, fandom, and movie chatter. This story has run its course for me and I will be happy to watch the final installment–and equally happy for the end of the franchise.
(TP) The Martian (11/25): This film seems like it will be a very interesting movie, although not as original as it appears to be. Based on a novel by Andy Weir, it looks to be a mix of “Gravity” meets “Interstellar.” Matt Damon plays an astronaut stranded on Mars (remember he was also stranded in Interstellar) with little hope of rescue, but a determination to live in hopes of just that. With Ridley Scott directing, I have high hopes that this film will keep me on the edge of my seat and completely entangle me in the plight of Damon’s character. If this film even hints at the desperation and emotional angst Sandra Bullock displayed in “Gravity,” I’m predicting a winner here with a deep impact and lasting impression.