Tuesday, June 24, 2014
Maleficent plays well with others (sort of)
Disney reimagines yet another of its cherished properties with a darker, richer take on the antagonist to Sleeping Beauty
ARTH VADER (AV): In 1959, Disney’s classic tale of a young girl deceived by a malevolent sorceress became a an instant classic with children, specifically with young adolescent and teen girls. The classic victim/damsel in distress tale captured the hearts and minds of generations and has spurned a whole new take by the creators themselves. As for this film’s alignment with it’s original manifestation, it’s close enough and does a compelling job of updating the fable with new actors, new effects and a new take on an old tale. As for continuity, it is the second in what looks to be an ongoing series of re-boots of classic Disney properties including the upcoming Cinderella in 2015 and John Faveraau’s The Jungle Book already in production. Personally, I think this is all exciting stuff for Disney whose properties, quite frankly, have grown stale. P-Man?
THE PONTIFICATOR (TP): “Sleeping Beauty” has never been told like this! In life I have found it true that there is always another side to a story, sometimes, many sides. This film tells the other side of this classic tale and enlightens the audience that everything isn’t a clear cut case of “good versus evil.”
CASTING, DIRECTING & ACTING
AV: For me, there is only one name that matters in this film and that’s Angelina Jolie. While not a brilliant performance, her characterization was richly portrayed and she brought a confusingly complex and delightfully troubled woman to the screen. Gone are the days when a character is defined by one simple, one-dimensional character trait (read: ‘she’s evil’). Maleficent is a kaleidoscope of personality contradictions. And that is exactly how we are all made. Most characters in the film run a steady faucet of either chaotic good to untempered rage while Jolie’s Maleficent is often merciful and other times ruthless, bitter when she need be and oddly forgiving and even whimsical to downright playful. Director Robert “ hunger Games” Stromberg brought continuously volatile camerawork to bear to devastating 3D-enhancing effect to the world of Maleficent, would you agree Pontificator?
AV: Castles and fairy-folk and woodland creatures live aplenty in Stromberg’s Maleficent. While none are trend-setting or ‘next-generation defining’, all are handsomely handled and bring the magical world of this film right into the viewer’s psyche. It may be that both my daughter and I both have an affinity for dragons, we were beside ourselves with the dragon sequence. The enchanted environment came to life in small part due to exceptional visual effects.
TAKING A DEEPER LOOK
AV: Like Alice in Wonderland before it, Disney seems to be doubling down on its core properties with re-boots and “re-imaginings” of their ‘princess properties.’ This is a necessary effort in this world of Disney-owned super-IP’s like Star Wars & Marvel studios. Classic IP’s like Cinderella, Snow White and all of them really, run the very real risk of becoming obsolete. In an age of digital animation, high-gloss visual effects and a notoriously endless number of re-boots and re-imaginings. While I would strongly question the staying power of these films in the mind space of their core audience (namely pre-teen and early teen girls), these films keep these characters in the hearts and on the lips of us all. And while the screenplay could use a bit more polishing, I think it handsomely accomplishes its task of staying relevant in an increasingly attention-deficient world.
AV: Having pulled more than $500 million in box office revenue worldwide (as of the writing of this post), Maleficent 2 is presently undergoing initial script writing. Disney is in the business of entertainment and nearly 20 million people the world over saw great value in this film, and Disney is hot to strike while the proverbial fire is hot. This film needed to be re-made and for the greater part of things, that part was done well. I am pretty unconvinced that a follow-up is necessary at all and would rather see that money and effort go to the development of original properties and additional ‘re-boots.’ Our daughters are hungrily consuming far lesser-quality movies and franchises, so a Maleficent sequels isn’t the worst idea I’ve ever heard.
ARTH VADER rates Maleficent: This movie is entertaining is if you can keep your composure through almost two hours of intensive emoting, voiceover and dialogue, the action sequence are compelling and the story, while familiar, is told well. There are moments of greatness tempered by moments of sheer boredom. The presence of Jolie onscreen is impressive but the comic relief to the three fairy Godmothers is just this side of bearable. Still, fun with something everyone and a strong, if not heavy-handed re-boot, Maleficent casts its spell over eight (8) magical busted blocks and starts something wickedly wonderful.